Monday, December 26, 2022

LIVIN' OUT LOUD with REX SCOTT (X-Sinner/Zion Vocalist)

 


Rex Scott has been on the scene for a long time, and he has seen a lot of things in those years.  As a mainstay of the 80s/90s Christian Metal scene, fronting his own band, Zion, then later taking over  vocal duties in X-Sinner, the Angry Einsteins side project, and now once again with his own GX project, Rex has played in everything from stadiums to barrooms to churches, bog crowds and small.  After having the great fortune of meeting him at a festival I booked several years ago (definitely on the small side!), I wondered what he had been up to and if he had anything up his sleeve.  Kick back for a few minutes and join me in catching up with Rex Scott of Zion/X-Sinner!
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PRR:  Rex, thanks for taking the time to talk with me!  It’s been a few years now since I got to meet you and X-Sinner at SkullFest in Nebraska.  Your Facebook page appears to show you being a pretty busy guy!  What’s been going on recently for you and X-Sinner?

Rex:  Well, I’ve pretty much always tried to keep busy performing, whether it’s in a local cover band or any of the original bands I play in, like X-Sinner and GX.  Those two bands don’t play out much anymore, so I find ways to keep the chops up vocally and playing.  I just enjoy performing.

PRR: How long have you been performing?  Not trying to pin an age on you, but it seems you’ve been a part of my musical world for a long time.

Rex:  Since the mid 1970s.  Zion was started in 1980 or 81, but we didn’t get a recording deal until 1988.

PRR:  Where were you performing with Zion geographically, for those first 7 or 8 years?

Rex:  We were based in Sioux Falls, SD—where I just recently moved back to from California—and we played mostly in the South Dakota, Iowa, Minnesota, North Dakota region.  We were a Midwest thing.  We played with Rez in Omaha, but that was later on after getting on Image Records.  We actually opened for Bloodgood in Sioux Falls before we had that record deal, and that’s where we first met David Zaffiro of Bloodgood.  Their soundman quit shortly after that show, and so I volunteered to help them out of a bit of a jam, and I ran their sound for the rest of the tour.  That’s where David and I became friends and what led to him producing the Zion album, Thunder From The Mountain.  We did all the pre-production in Sioux Falls and then flew to Seattle, where David lived, to track the album.  So, David lived for almost a month in Sioux Falls, helping us get properly prepared to record the project, helping with the arranging, co-writing, etc.

PRR:  I’ve never met him, but have heard only great things about David Zaffiro.  I love his music, both with Bloodgood and as a solo artist.

Rex:  Yeah, he’s a great guy and a great friend.

PRR:  Were you always sure you wanted to do Christian hard rock and metal?

Rex:  Not really, no.  I kind of dove headfirst into it after my conversion to Christianity in 1979, because I figured that was the thing to do.  Later on, I realized there was a lot of unnecessary division between mainstream music and “Christian” music.  The CCM industry loved that aspect and profited hugely from it.  I saw that side of it and it was very money driven.  When you start meeting and interacting with different “Christian” labels, and the like, you realized that many times they were basically wolves in sheep’s clothing.  Your perspective changes.

PRR:  You are definitely not the first artist I’ve talked to that holds that opinion about the labels…

Rex:  Yeah, I’m sure.  When the sell is that the truth only comes from one side and not the other…meaning Christian versus secular…you can miss some great truths being poetically delivered in many mainstream songs.

PRR:  You mentioned that you got saved in the late 70s and decided you wanted to do Christian rock and metal.  How did the idea for Zion start?

Rex:  I was performing in a locally well-known hard rock band called ROX.  My departure from that band, and news of my conversion quickly spread through the local music grapevine.  ROX was a very hedonistic band, and so many people were kind of stunned at the change in me.  Anyway, another local musician from another established band had also quit and was looking to put something together that was rock but also glorified God, too.  That was Dave Moore.  He, and his longtime musician friend, who happened to be the program manager of the local FM rock station in Sioux Falls, Bruce Fischer, called me.  I was a drummer/singer in those days, and so we got together to jam.  We decided to try and do something, and we all had ideas for a name.  My idea was Zion, and I designed the logo. 

We began performing together for youth group events, and we put on our own concerts.  Word sprerad and we began receiving more calls to perform.  We then got to open for Sweet Comfort Band, and then we were put on the bill of a large Christian festival put on yearly in Minnesota called Sonshine.  We got a school bus and played all over the Midwest for years, way before getting a recording contract, and before Stryper or Whitecross were born.  There was only Resurrection Band, Petra, and Sweet Comfort Band, and a few others.  As the years went by, we saw all these other bands start off and the genre really took off!

As a side note, ROX was inducted into the South Dakota Rock N Roll Hall of Fame in 2021.

PRR:  While we’re kind of on the subject, why do you think Christian rock took off the way it did?  I know the Jesus People USA movement of Resurrection Band had an impact, and Petra was pretty strong from the start, but there just seemed to be a boom that coincided with the mainstream metal movement of the 80s.  Was that a coincidence or a splinter effect?

Rex:  A splinter effect, more so I think.  Some was musicians who, like us, were feeling unfulfilled and were looking for something more in our lives.  Sadly, as the genre and industry grew, some saw it as an opportunity to make money.  Not that making money is bad, but it was the main motivation for some.

PRR:  So, Thunder From The Mountain was recorded on the tiny Image label.  I can’t imagine they had the financial backing to support any kind of touring, but did you hit the road for the
album, outside of that one Omaha show?

Rex:  Yes, but only briefly.  It wasn’t long after that when Greg Bishop from X-Sinner called and asked if I would be interested in singing on their next album, as they had just fired Dave Robbins.

PRR:  Was there any reluctance to leaving your own band to join another?

Rex:  There was because the offer was that I didn’t have to leave Zion to do it, so I considered doing both bands.  But once I flew out to LA to audition, then flew back to LA to record the Peace Treaty album, and then flew back out to LA yet again to go on tour, it just became obvious that I needed to move to California and leave Zion.

PRR:  What year was it when you made the decision to move to LA?

Rex:  1992.  Well, 1991, really, but the actual move was in ’92.

PRR:  So, prior to then, did you ever consider heading to LA with Zion to try that scene?

Rex:  No, not really.  We knew we weren’t in the “happening” areas, like LA or Nashville, but for traveling out, we were smack dab in the middle of the country, so traveling out was an easier reach for us.  That’s all we really cared about.

PRR:  Was there any kind of culture shock when you left our Midwest and hit California?  Can you describe the LA scene in 1991 and early 1992?

Rex:  It was the peak of the Hollywood Sunset Strip hair metal days.  Vixen came to one of our shows at a Hollywood rock club, and we talked with them and took pictures after the show.  There was big hair everywhere. (Laughs) We played the Whiskey A Go Go, places like that, with tons of bands trying to make it.  Then, shortly thereafter, Pearl Jam and Nirvana came out and grunge took over the scene.  Glam metal, and many other genres of metal, died for a time.

PRR:  Were there other Christian bands actively playing the Strip at the time?  I know Stryper was long gone by then, and Holy Soldier was probably gone by then, also.  Who were your contemporaries at that time?

Rhino Bucket

Rex:  By 92 there weren’t really any Christian bands…like you said, Holy Soldier had started in those same rock venues, but had moved on by then.  There were probably others that I don’t remember now. 
For us, our contemporaries were bands like Rhino Bucket, that were still doing it locally.  Them and Broken Teeth.  Bands like that.

PRR:  What about Guardian or The Brave?  Maybe Fear Not?  Did you encounter them at any point?

Rex:  Not really.  The Brave was a follow-up act to us on the Pakaderm label, but we never interacted much.  I met Jamie Rowe, but it was before he was in Guardian.  He was still in Tempest who opened for Zion.

PRR:  Some of the guys I have talked to, both in bands and just music fans from the scene, say they could sense a darkness, even an evil presence on the Strip.  Did you get that sense?

Rex:  Not really, but it is full of deviants and strange people, for sure!  Most of the Hollywood area is like that, so I can see why people would say that, especially if you’ve never seen things or people like that before.  It’s called “Hollyweird” for a reason! (Laughs)

PRR:  When grunge hit, were the LA bands aware of it, or did a lot of them just keep doing what they were doing, figuring it was just a phase and hair metal would recover?

Rex:  I’m sure many saw it that way, but at the same time, as the industry shifted to grunge, which then quickly evolved into modern rock like Foo Fighters, STP, Tool, and the like, and the big FM metal station, KNAC, started to lose ground to KROQ, which was a modern rock format, it kind of sunk it for most bands.  The metal scene dried up fast once that happened, at least in California.

PRR:  Before that happened, did X-Sinner ever get any love from the big stations in LA?

Rex:  We got played a little.  We were featured on a new, up-and-coming bands segment, too.  The famous DJ, “Uncle Joe” Benson did, that for us.

PRR:  Did you guys get to know any of the MTV hair metal heroes at all?  I know you mentioned meeting Vixen…

Rex:  Rhino Bucket, for sure.  There were others, but I don’t remember who.  The Marquee Club in Orange County, where we were from, had many of those bands there, and we met some of them there.  That’s a Hustler strip club now. (Laughs)

PRR:  Hang on, making a note to avoid that place!  (Laughter)  Were you ever approached with the idea of doing videos at all, or had that ship sailed by the time Peace Treaty was done?

Rex:  We had a guy who had secured a Japanese distribution deal for us, and that would have included doing some videos.  Pakaderm killed the deal though, because their terms for the deal were that it had to include ALL the Pakaderm roster, not just us.  They only wanted us in Japan, so…

PRR:  Even with the change in the scene at the time, did Peace Treaty have a pretty good tour?

Rex:  Yes.  In fact, some of the bootleg videos from places like Albuquerque, New Mexico, are still on YouTube and fun to watch.  Touring died off after that, though.  In the 2000s, like 2008 onward, we started getting calls to perform again, in places like Switzerland and Germany.  The last thing we did was a mini tour with Daniel Band in Canada, not all that long ago.  Well, and SkullFest with you, of course. 

PRR:  Of course!  (Laughs)

Rex:  Time flies, though.  It’s been a few years now.  Greg retired from the band…although I have some news about that…so I play with local guys whenever I can.

PRR:  Who did you guys tour with?

Rex:  We did a few shows with Bloodgood, together with one of the thrash bands.  I honestly can’t remember if it was Vengeance (Rising) or Deliverance.  We mostly headlined everywhere we played and local bands would open.  I’m hearing that they want us to perform at next year’s Immortal Fest in Ohio, if they do it again.  They wanted us this year, but Greg was in Spain.

PRR:  That would be awesome!  I know Dorn Reppert from Image Records is pushing for it on Facebook.

Rex:  Yeah, it sounds like it would be great!

PRR:  When you were touring with X-Sinner, or even with Zion, were you ever confronted with the whole “Rock is Satan’s music” thing from radical church groups?

Rex:  Oh, sure.  Guys would come up afterwards with bibles pen to some verse or something, trying to show it to us.  We didn’t experience that often, but it did happen.  While on tour with Bloodgood on our way to West Virginia, I think it was, we got word that the Christians were fasting and praying we wouldn’t come…and so were the Satanists! (Laughs)

PRR: (Laughter)  Talk about not being wanted!

Rex:  (Laughs) Right?!

PRR:  Did anything about joining X-Sinner surprise you? 

Rex:  Oh sure; things are never how you think they are, or will be.  Greg was the boss of the band, for sure.  It was his band.  I, of course, couldn’t know that until I actually met them and joined.  They all had pretty much successful careers.  Greg is an electrical engineer, and Mike had a rehearsal studio business.  Slayer was actually one of his long time clients!  When we played “Walking Evil” from our first record for those guys, they flipped out and loved it! (Laughs)

PRR:  Who was in the band at the time you were brought in?

Rex:  Greg on lead guitar, and he’s the founding member.  Mike Buckner on drums, and Rob Kniep on bass.  It’s the same lineup that’s on Get It.

PRR:  It’s funny you mentioned that about Greg because a lot of people I know assume you broke Zion up to create X-Sinner.  When I tell them you weren’t even on the first X-Sinner album, they’re surprised.

Rex: Sure, I could see that.  Only the diehards know the truth! (Laughs)

PRR:  Did you get to do much writing for Peace Treaty, or was the album already written?

Rex:  Most of the music was written, but I had complete responsibility to come up with the lyrics and

Original art idea for Peace Treaty

their melody lines. The working title for the song “We Need Love” was “I Say No”…just something they threw down to track the music to.  I totally changed it.  They gave me carte blanche with the lyrics.

PRR:  What was your recording experience like at Pakaderm?  Did you interact with the Elefantes much?

Rex:  Dino worked with the band in the big room, called Studio A.  John oversaw all the vocal tracking in the smaller vocal room, called Studio B.  I worked with John exclusively.  I mean, we hung out with Dino, too, but as far as work, it was John on my end.   

PRR:  That had to be exciting!  They are known to be perfectionists and have a pretty good idea of what sound they are going for with their bands…

Rex:  John was very demanding, but not unlike my experience with David Zaffiro.  Both are similar when tracking vocals.  “Do that again!”  (Laughs)  Or “try it like this!” (Laughs)

PRR:  (Laughter)  When you were writing the lyrics, was there any guidance or direction about being Scripturally sound or anything like that?

Rex:  No.  They knew what I brought to the table when they heard the Zion lyrics.

PRR:  Was it intimidating at all to step into an established band that had a record label and an album already under their belt?

Pre-Rex X-Sinner

Rex:  I had really liked their first album (Get It).  It had come out about the same time as Zion’s, so I was more excited than anything to give it a go.  They were on a bigger label, with Word behind Pakaderm, so I was liking that part, too. 

Many people don’t realize that the Zion album had the most top ten hit singles of any rock act that year.  Myrrh really wanted to sign Zion, but Dorn Reppert, the owner of Image Records, wanted too much from them to do it.  They signed Holy Soldier instead.  Dorn regrets that now.

PRR:  I’ve heard a lot of guys talk about how bad the “Christian” labels treated them…

Rex:  What you hear is all true!  (Laughs)  Except Dorn and Image Records.  He’s always been legit.

PRR:  Did Pakaderm treat you badly?  I’ve always heard they were good to their bands.  Now, Pure Metal…sheesh!...there are some, ummm….less than pleasant things said about them…

Rex:  I will only say this: we didn’t care for Pakaderm’s production of our sound, and they were making way more money on the albums than it would have cost us if we had just hired them by their own hourly studio rates.  The budgets were so padded the bands could never totally recoup and pay off the recording budget to receive any real profit.  It was a case where the band could never see any money other than the writer’s royalty.  That was why we left the label and did not record the third album with Pakaderm.  Word was providing the funds for each project according to what Pakaderm told them it would cost.

PRR:  Did you ever encounter bands who used Christianity as their gimmick to gain notice from labels?  I know of a couple that have received that criticism…

Rex:  I’ve heard of some, but I’ve never encountered any of them personally. 

Funny as it may sound, X-Sinner was never really into the Christian scene.  We didn’t keep track of any of the bands.  We just had no interest.

PRR:  When you were in X-Sinner, or even previously in Zion, how much was your image a factor?  Were you encouraged to look a certain way?  I was talking to a musician from another band who had labels telling them that some members didn’t have “the look”.

Rex:  That’s the strange things labels could do, I guess.  Like they really know what’s up! (Laughter)  Nah, we just looked and dressed how we wanted.  Zion was a bit more of the big hair look, but X-Sinner was just mostly leather and jeans.

PRR:  So, as we talked about a bit ago, Peace Treaty hit at a rough time for hard rock and metal
bands, in general, and Christian bands specifically.  Was there any thought of getting grungy, similar to what Holy Soldier did with Promise Man?

Rex: No.  A while after the touring was done, we wanted off the Pakaderm label, but they wouldn’t let us go at first.  So, we recorded a more modern rock-sounding album under the moniker of The Angry Einsteins, since we couldn’t record as X-Sinner until Pakaderm let us go.  It’s more Foo Fighter-ish and Bob Mould inspired album.  It almost landed us a mainstream deal on a Sony label, and it’s one of Greg’s, and my, favorite things we’ve tracked.  I was the drummer in the Einsteins, and we all sang.  It took over a year to complete.

We performed live just a handful of times in SoCal as The Angry Einsteins, then Greg moved to Australia for his job.  He was “down under” for about three years, or so, before moving back to California.

Rex's current kit

PRR:  Did it feel good to get behind the kit again?

Rex:  It did!  I love drumming, and I own three kits today.  I’ll send you pictures of one of them.

PRR:  Was Angry Einsteins ever considered by Pakaderm to let you out of your contract?

Rex:  No.  By then, any and all communications to them was through our attorney.  We were just out there doing what we enjoyed until they let us record as X-Sinner again.

PRR:  Once you were finally in the clear, label-wise, how did X-Sinner move forward?  Was there still the fire for X-Sinner to continue with new material?

Rex:  There was, but we had some other things we wanted to take care of, like Fire It Up.

PRR:  That was actually the first album after getting out of the Pakaderm contract, right?

Rex:  Yeah, it was basically Peace Treaty retracked and remixed, with the new song, “Fire it Up” added to it. 

PRR:  What was the thought behind that?  Was that a decision your new label, M8 Records, made, or was the band not happy with the original sound?

Rex:  Both, but it was mostly to improve the sound.  We never cared for Pakaderm’s mixes.

PRR:  Tell me about your other project, GX.

Rex:  Well, we (X-sinner) eventually developed plans to do one last album to be called Going Out With a Bang.  We started writing and tracking roughs for it, but set it aside as Greg decided to retire from the band.  His life was very hectic at the time and he wanted to concentrate on that.  Coupled with the fact that our previous album, World Covered in Blood, ended up being illegally downloaded in the hundreds of thousands of times, there just wasn’t a lot of motivation to do another “free” album. 

So, GX came out of the blue during this time.  A guy from Canada, named Glenn Thomas, got my number from somebody and had wanted me to maybe sing on a song he had recorded.  I get calls like


that every so often, so I kind of blew him off.  He said he was a studio musician who produces, mixes, and masters stuff for artists.  I said, “send me the song”, and it was a great song, although the lyrics were cheesy (laughs).  So, I changed them and tracked my stuff to it.  It was now called “Love I.V.”, and it turned out so good I asked if he had any more songs.  That one song led to a whole album, Bite Stick. 

PRR:  There was a pretty long layoff between Peace Treaty and Fire It Up and Loud and Proud…and even Angry Einsteins.  Was there any thought of firing Zion back up?

Rex:  Not really.  We have always kept in contact over the years, but we have only recorded since then.  No discussion of reuniting, mainly for logistics reasons, as none of us live very close to each other these days.

PRR:  Zion has recorded?

Rex:  Yeah, we tracked a brand new song called “Can’t Hold Me Down” that’s currently only available as a digital download single.  It’s on most platforms now, I believe, like iTunes, etc.  I’d have to ask Tommy Bozung, the drummer, because he handled that part of it.  But I think it’s available in most online stores.

PRR:  Were you consulted on the recent reissues of Zion’s material?  I noticed a bonus track on the reissue of Thunder…

Rex:  I was very much involved.  We re-tracked “Big Fall” for it, as that was supposed to be on the original but we ran out of time and budget, so we re-tracked it just for the remix/remaster of Thunder.  The remix is more of what we had envisioned the original sounding like.  It’s sonically so much better. 

2019 reissue cover

There was only one song, “Less of Me” we couldn’t remix for it, because the master tape and tracks for it got lost somehow.  It’s still on there, but it was only remastered, not remixed.  The 2-inch tape reel that Zaffiro had that it was supposed to be on appears to be some other project that got tracked over it.  When you’re in the middle of a project and you need another reel, you grab one.  He probably grabbed that one not realizing what was on there.

PRR:  What about the Thrillseeker CD that was put out by Retroactive Records? 

Rex:  That was originally called History, and it wasn’t produced for retail.  It was supposed to be just for the band for memories, but Retroactive wanted to release it and had the idea to add the “Thrillseeker” track to help sell it.  It wasn’t a high production recording.  They did come up with some cool cover art, though. (Laughs).  It’s mostly scrappy tracks and demos, and I was hesitant in putting that out, honestly.   

PRR:  So during X-Sinner’s downtime, and without thoughts of resurrecting Zion, was there any thought that the band might just be done, or was the band kind of riding out the whole grunge/alternative movement?

Rex:  Well, like I said, the Einsteins record took a little over a year to record.  During that time, Greg moved away to Australia, which kind of slowed the ability of the band to do anything live.  So, we did kind of ride the grunge wave out, but not in a typical way, I guess.  Before Greg came back we released those Loud And Proud demos and stuff, which eventually led to us tracking World Covered In Blood.  Greg flew back to track his parts in my home studio, then went back to Australia.  Then, not too long after that album came out, we started getting calls to perform live again.  Greg eventually moved back and we started doing fly-in dates all over the place…Switzerland, Germany, Canada…North Platte, Nebraska…(laughs).  This recent Immortal Fest interest has helped bring Greg out of band retirement, and we are discussing tracking a new album, currently.

PRR:  I know you keep teasing about North Platte, Nebraska, but I want you to know that seeing you guys live was one of the true highlights of the event for me.  You guys were awesome to everyone, and people still mention you and Whitecross to me, honestly, more frequently than they mention Michael Sweet and Oz Fox…

Check out that Sunday lineup!

Rex:  That’s nice to hear.  Thank you.  I actually drove through there last July in my move back here and had some fond memories. 

PRR:  You are always invited to stop by my house and say hi.

Rex:  Be careful…I might just stop! (Laughter)

PRR:  The Christian metal subgenre is always criticized for being copycats.  Whitecross is the “Christian Ratt”.  Fear Not is the “Christian Skid Row” or sometimes the “Christian Slaughter”.  And, of course, X-Sinner is the “Christian AC/DC”.  I highly doubt anyone sets out to sound like a Christian version of anyone else, so do you take that assessment as a compliment or as a cheap shot at your individual artistry?

Rex:  It’s a compliment of sorts, I guess.  We just consider ourselves one of many bands that exhibit flavors of our influences, just like Rhino Bucket or Airborne.  There was never any thought process of, “Hey!  Let’s do music that sounds like…” fill in the blank.

PRR:  Rex Carroll told me if people want to compare them to Ratt, he’d like to try comparing bank accounts, too!  (Laughter)

Rex:  (Laughter)  True!

PRR:  Are you always writing, even if it’s just thoughts or song ideas?

Rex:  Yes.  I record ideas constantly on my voice recorder on my phone.  I have a ton of guitar riff ideas recorded on it, too.  It’s funny because I just listened to a bunch of really old ones I had tracked on previous phones, and somehow when the stuff got transferred onto my newest phone, the files got corrupted and sound like fluctuating tape recordings, speeding up and slowing down, really wobbly!  (Laughs)  I don’t know how that happens to a digital recording, but once goes from, say, two phones ago, it does that.  I have to sometimes try to figure out what I was actually playing at the time, it’s so bad on some of them.

PRR:  Speaking of guitar, I have people all the time asking me what does so-and-so play?  What’s your guitar and rig of choice?

Rex:  When in Zion, we actually had the Zion guitar company make us all custom Zion guitars.  We have the Radicaster.  I use that for soloing.  I use a 2001 Gibson SG Junior with a custom Solodallas pick up installed in it for my rhythm guitar tracking.  I use a red skull-covered Washburn Idol for almost all the live stuff because it’s tough and it’s cheap.  So, if the airlines destroy it, I’m not out the big bucks like I would be if I took the others on the road.

PRR:  Do you ever have thoughts of doing another X-Sinner album, even if you don’t tour with it, since Greg is mostly retired?

Rex:  Funny you should ask.  We have decided to begin recording another album from the remains of what was to be the Going Out With A Bang album we shelved when Greg retired.  We are currently getting prepped for that.

PRR:  Who will be on the record this time around?  You’ve been pretty solid with the lineup from the get-go, with you, Greg, and Rob.  Will you do the drumming, too?

Rex:  We will be having Glenn from GX handling the drumming chores.  He’s the only drummer I’ve ever played with that plays just like Phil Rudd of AC/DC.  I call him Glenn Rudd all the time! (Laughs)  He will also be mixing and mastering it. 

PRR:  Is it easier with the internet and today’s technology that allows you to work from just about anywhere?  Will the band still get together for a time to work on the album?

Rex:  Today’s technology certainly does make it easier, for sure.  But, there will be both.  We will get together for some of it, yes.

PRR:  What would it mean to X-Sinner to be invited to a festival like ImmortalFest or some other festival?  And is it doable?  I know a lot of fans seem to want it…

Rex:  Its very doable.  There has been talk of having Zion, too, in the past, and that would be harder to pull off.  But either way, those kinds of events are always enjoyable to play.  We typically throw a Zion song into the X-Sinner set, anyway.

In fact...I heard a rumor that Zion might make a guest appearance during X-Sinner’s set at ImmortalFest ’23.  Just a rumor, though, and you didn’t hear it from me! (Laughs)

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While Rex was kidding with me about the "rumors" of X-Sinner being at ImmortalFest, it has been confirmed this news is NOT simply a rumor; X-Sinner will be at ImmortalFest '23, and it is pretty much guaranteed that Zion will be making an appearance, as well.  Check your calendars and mark the Labor Day weekend as being booked with plans to head to Ohio to see Rex and the gang!

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